In 2019 we launched FieldWorks, our 12-week gap year program for students pursuing creative careers. In many ways, students and instructors alike, lept into this experiment together. It felt like our first year of Art on the Farm, learning so much along the way. At times there were challenges, continually assessing the merits of each […]
It has been a real pleasure looking back on the student artwork made during Art on the Farm this past summer. We had two groups of exceptionally talented students, as can be seen by the work they produced during our 25-day studio art program. Art on the Farm is the first opportunity many of our […]
dangle, align, topple by Rosie O’Gorman: a closing event at deAppendix, Dublin Date & Time: Tuesday, November 19th, 6 pm – 8 pm Location: deAppendix Cultural Space, 30 Ardagh Grove, Blackrock, Co. Dublin For the past month, new works by Cow House Co-Director Rosie O’Gorman have been on display at deAppendix, a cultural space co-located with […]
Exhibition: After the Landscape Opening at Library Project on Thursday, May 30th at 6 pm. Participating artists: Melissa Averitt, Peter Brown, Alyssa Chase, James Claiborne, Kathryn Douglass, Caroline Lombardino, Gabrielle Mills, Theresa Newell, Brittany Souder, Louie Tangca, and Todd Turner. With Facilitators Leah Sobsey and Heather Mallory As long as there has been art, artists have […]
The Living Arts Project is an artist-in-residence scheme for primary schools in County Wexford. The aim of this project is to provide children with an understanding and appreciation of contemporary visual art. The Living Arts Project exhibition represents a selection of work produced by the participating primary schools.
Additionally, supported by the Creative Ireland Programme, artists Els Dietvorst and Cow House Co-Director Frank Abruzzese worked with pupils from Ramsgrange Community School. The residency, developed with Art Teacher Aoife Power, included workshops on drawing, printmaking, and photography. Included in the exhibition is People Who, a new work by Frank Abruzzese which was made in collaboration with the students over the course of several weeks.
This past Autumn, associate artist Ann Maria Healy exhibited a new video work titled When Dealers Are Shamans at Pallas Projects. The initial ideas for this project began when Ann Maria was with us for our residency I like to eat with my hands. She became interested in our peacock George and began some initial research. We were […]
As the rain pours here today it’s hard to imagine our beautifully dry and sunny summer just a few short months ago. As always, we’re incredibly proud to present the accomplished body of work by our students during Art on the farm, our intensive 25-day summer art program. There is an exceptional variety of work presented here, […]
During the week beginning March 17th, 2018, during our Open Residency programme, artist Richard John Jones installed his work Public Sculpture, a figure without a body. We hope for this to be the first of many public sculptures in the woods adjacent to the Cow House. This installation found its beginnings as a work included in the exhibition The Plough And Other Stars curated by Kate Strain in 2016 at the Irish Museum of Modern Art. This exhibition was associated with our own 2016 residency The Centre For Dying On Stage #3 also curated by our then curator in residence, Kate Strain. We were thrilled when shortly after the exhibition we were contacted by both Richard and Kate who proposed the farm as a permanent home for the work. After much coordination, it was wonderful to see the successful installation despite some fairly horrific weather. Special thanks to artist Deirdre Buggy who took time out of her busy schedule to help Richard with the installation. We look forward to sharing this special addition to the farm with our future visitors.
Recent artist in residence Martina O’Brien is currently exhibiting new work at the fantastic Butler Gallery in Kilkenny. This exhibition stems from research gained by O’Brien through her time at The Irish Centre for High-End Computing, Dublin (2016) and here at Cow House Studios this past autumn during Rising from the Hill: Local Systems in Global […]
Exhibition Dates: March 2nd to April 27th, 2018 Opening Reception: March 9th, 6 PM The work of Cow House Studios Co-Director Frank Abruzzese is featured in Terra Nostra, the most recent exhibition Situated in the Wexford County Buildings. The exhibition is curated by Karla Sanchez and presented by the Arts Department of Wexford County Council. […]
“Rising From the Hill” takes the form of a process-based exhibition stemming from a six-week long residency at Cow House Studios and collaboration with Art in the Contemporary World Masters Program in which artists were asked to explore and respond to the local environment and beyond. The artists in residence present their process, sketches and […]
Artwork by Cow House Studios Co-Directors Rosie O’Gorman and Frank Abruzzese will be featured in Bare Root, a group exhibition exploring rural and farmyard environments, and the points where nature and the man-made intersect. The exhibition will open Friday 20th October, 6.00pm at Wexford County Council Buildings, Carricklawn and will run from the 23rd of October to the […]
As the leaves begin to fall and the weather turns blustery, it’s nice to take a moment to look back at the wonderful work that was produced this summer. In our tenth summer running our Summer Art Program, Art on the Farm, we introduced a New Media concentration to sit alongside bot Painting and Photography concentrations. […]
We are thrilled to have our residency How to Flatten a Mountain featured on lenscratch.com. The piece was written by 2017 participant Val Patterson, the Social Media Editor for LENSCRATCH and a Los Angeles artist specializing in fine art portraiture, travel and landscape photography. In the post, Val recounts here experience here on the farm participating in workshops, […]
Opening Reception Saturday 1st July at 1.30pm at Wexford County Council Buildings, Carricklawn The Arts Department of Wexford County Council in partnership with Wexford Arts Centre are delighted to present And Creatures Dream…A New Language, a group exhibition which reveals in part how the visual arts are represented in County Wexford, with focus in this […]
Our final post highlighting the facilitators for How to Flatten a Mountain, our exciting opportunity for artists who’s work in whole or part makes use of photography, features the work of Aisling McCoy. The deadline for this residency and exhibition opportunity is this coming Sunday and you can read more about it here… Aisling McCoy […]
We are proud to showcase a selection of artwork made during our 2016 sessions of Art on the Farm. In this gallery, you will see five works from each of our students representing a wide variety of media. Black and white darkroom prints, charcoal drawings, watercolor and oil paintings sit alongside sculptural work, digital composites, videos […]
Date & Time: Saturday, November 12 at 3pm
Location: Wexford Arts Centre
Performance by artists Jessica Foley, Marjorie Potiron & Lisa Hoffmann, Steven Randall, and Alex Mirutziu AKA The Artist and Himself at 29 (TAH29)
A bus is scheduled to depart from the Irish Museum of Modern Art at 12:30pm and return at 9pm.
- Entry to 3pm performance at Wexford Arts Centre
- 5pm food and refreshments at Cow House Studios
- Complimentary bus journey for Dublin-based visitors
Wexford Arts Centre
Saturday 27th August at 3pm
The exhibition I like to eat with my hands is the outcome of our 2015 Autumn Residency residency involving five contemporary, international artists. The participants were artists Taro Furukata, Ann Maria Healy, dancer/choreographer Claire Huber and writer/artist duo KVM – Ju Hyun Lee and Ludovic Burel.
For a period of eight-weeks in autumn last year, they re-located their practices to our deeply rural environment at Cow House Studios. Together, they immersed themselves in research between the studios, the land and the shared accommodation, to create new work, share skills, and reflect on their own and others’ individual practices. Within this activity, the question was asked: can situating oneself within these new ‘Pig Earth’ surroundings potentially radicalise an existing working process?
Their answer comes to you in the form of this exhibition. It comes in the lonesomeness of Taro Furukata’s poignant attempts to assimilate (physically metabolising new spaces in the sanctity of his actual body) and to reach back home (phoning his Grandma for hand-me-down recipes); in Claire Huber’s struggle out of the physical and metaphysical confines of the body (dancing with and in nature in a wild and comic reach for meaning); in Ann Maria Healy’s search for spiritual guidance or resonance amongst dated mythological traditions (removed and ritualised in their almost but not quite kitsch physical form), and in KVM’s more than skin-deep transference of cultural mores (echoes of nasty cultural realities, warts and all).
RGKSKSRG is the paired curatorial practice of Rachael Gilbourne and Kate Strain.
Image: Ann Maria Healy, Beating to be real, 2016, HD video still.
Launch: 7th July, 6:30pm
Running: 8-24 July
Location: Rathfarnham Castle
How to Flatten a Mountain is the title of this exhibition, which marks the culmination of a residency that ran for the first time this year between May 23 and June 1. The residency focused on emerging and mid-career visual artists whose practice in whole or part, makes use of digital or analogue photographic processes.