Satellite Residency: Sarah Lincoln, Ruby Wallis, Linda Quinlan & Ruth Lyons

Sarah Lincoln

Sarah Lincoln (born in 1980) is a visual artist based in Ardmore, Co. Waterford. She graduated from NCAD in 2004 with a joint degree in Fine Art and the History of Art. She holds an MA in Visual Arts Practice from IADT. Sarah writes for Enclave Review and Critique.

Her work has been included in Claremorris Open, EVA and as part of numerous group exhibitions. The Irish Arts Council, Create and ArtLinks have supported her practice.

Ruby Wallis

Ruby Wallis is an artist and lecturer who completed her PhD at The National College of Art and Design, Dublin in 2015. She was an artist in residence at The Irish Museum of Modern Art (2016) and received an Arts Council’s Bursary Award (2017). She was awarded the first prize at Claremorris Open Exhibition and was nominated for the Prix Pictet Photography (2013). She lectures at The Burren College of Art and the National University of Ireland.

Linda Quinlan

Linda Quinlan is a graduate of the Piet Zwart Institute, Rotterdam, NCAD, Dublin and Crawford College, Cork.

She has exhibited at Oakville Galleries, Toronto; Bloomberg Space, London; CRAC Alsace, Altkirch; Smart Project Space, Amsterdam; IMMA, Dublin; Loop Gallery, Seoul; Salon Populaire, Berlin; Kolnischer Kunstverein, Cologne; the Hugh Lane Gallery, Dublin; Douglas Hyde Gallery, Dublin; Crawford Gallery, Cork; RHA, Dublin; Farmleigh Gallery, Dublin and Glucksman Gallery, Cork. Residencies include The National Museum of Contemporary Art, Seoul; Centre Culturel Irlandais, Paris; Picture This, Bristol; IMMA, Dublin, TBG&S, Dublin, University of Tasmania, Hobart and Fondazione Ratti, Como.

Ruth Lyons

Ruth E Lyons is based in Co. Offaly, Ireland. Over the past years, she has created works in the sky (Sky is the Limit, 2012, public commission for Scoil Naomh Eoin, Co. Meath), the sea (Pinking on Sea, 2014, Kinsale Arts Festival) and underground (Salarium 230million BCE – 2023 CE commission with EUSalt Assoc.)

Satellite Residency: Ciara McMahon, Sally O’Dowd & Dorota Borowa

Ciara McMahon

Ciara McMahon is a multidisciplinary artist whose practice includes site-specific performative installations, paint, and video. McMahon has an MA from the combined pathway ACW program (thesis First) NCAD and a BA (First) from NCAD. She is currently enrolled in the Turps Banana Correspondance Course 2018- 2019.

McMahon’s has had solo exhibitions in The Banff Center; NCAD Gallery; the Joinery. Further shows include the Garter Lane Arts Center; Bath Royal Science and Literacy Institution; Birkbeck College, London; Pallas Projects; Annual RUA Exhibition and TULCA amongst others. McMahon has been awarded Audrey E. Klinck scholarship at the Banff Arts Centre; Artist in the Community Award Phase 1 and 2 from CREATE; Arts Council Travel and Training Award and DLR arts grants.

Sally O’Dowd

Sally O’Dowd is a visual artist with a socially engaged practice focusing on drawing and performance. As a politically aware artist, her research is concerned with identity and in particular intimate female ritual and investigating the role – self-selected and enforced – of women in contemporary Irish society. Her artwork also focuses on authenticity in documentation by way of performance, film and drawing. She creates often absurd, socially awkward performance, in which costumes and props amount to an abject beauty.

Dorota Borowa

Dorota Borowa is a Polish artist based in Dublin. She holds a Masters from the Painting Department at the Academy of Fine Arts in Warsaw. Dorota has exhibited both nationally and internationally (including the Eight Gallery, Dublin, m² Gallery, Warsaw, By Other Means Gallery, London, Arsenal Gallery, Bialystok, Platan Gallery, Budapest, Haugar Vestfold Kunstmuseum, Tønsberg) and has been awarded a number of residency programmes. To date, Dorota has received two scholarships from the Polish Ministry of Culture. In 2016 she was longlisted for the Aesthetica Art Prize. Her work has recently been selected for the second issue of independent publication Bloomers Magazine: Living Mountain which celebrates the work of emerging female artists based in Ireland. Borowa’s work was also recently featured in the film ‘Monument’ by award-winning Polish director Jagoda Szelc. Dorota is a co-founder of the Borowe Sisters Group. One of her ongoing projects is Map Books, inspired by travelling in South-East Asia. Dorota collaborates with m² Gallery in Warsaw.

Satellite Residency: Stephen Dunne & Niamh Davis

Stephen Dunne

Stephen Dunne’s work operates across the registers of painting, drawing and moving image. Works are produced in a spontaneous manner and attempt to draw upon the unconscious as a source material. The process of making, where each thing leads to the next through an experimental and intuitive approach is at the core of this work.

Dunne is a graduate of the M.A in Fine Art painting at the Royal College of Art and of NCAD and his recent exhibitions include “As Above, So Below: Portals, Visions, Spirits & Mystics” & “Wilder Beings Command” at the Irish Museum of Modern Art.

Niamh Davis

Niamh Davis is a Dublin based artist. She has a BFA from Crawford Art College, Cork and a Post Grad from UCD. She has had solo exhibitions in Cross Gallery, Dublin, nag Gallery, Dublin, PS2, Belfast and The Andrew Stone Gallery, Westport, as well as many group exhibitions throughout Ireland, Berlin and Timor Leste. In addition to the Mothership Project Satellite Residency in Cow House Studios, awards include Fire Station Artist’s Studio’s Digital Media Residency Award and the Backwater Artists Studio’s, Ciaran Langford Memorial Bursary Award.

Mothership Event Cow House Studios

Satellite Residency: Una Quigley & Susan Montgomery

Born in Dublin, Úna Quigley graduated from Crawford College of Art, Cork and Winchester School of Art, Spain & U.K. in 2001 with an MA in European Fine Art. She has since exhibited widely such as at the Kassel Film Festival, the Rencontres Internationales Paris/Berlin, Centrum Berlin, Project Arts Centre, Ireland, Lewis Glucksman Gallery, Ireland, and Crawford Gallery, Ireland.

In recent years she screened her film work at the National Film Archive in Seoul and Berliner Liste, had a solo exhibition The Interval at Centrum Berlin and co-created a cinema in the wilderness for a temporary project entitled Wild-screen in Connemara. She exhibited in Tulca The Headless City in 2016 and is premiering new work at the Istanbul Experimental film festival in 2018.

Quigley has been included in a number of publications, such as Cooling out – on the paradox of Feminism by Lewis Glucksman Gallery/Kunsthaus Baselland, and recently False Optimism published by Crawford Gallery Ireland and All Mountains begin on the Ground, an artists book of essays.

She has received awards from local authorities, Culture Ireland, the Arts Council of Ireland, and Ealaín na Gaeltachta and was most recently awarded an Artists Bursary from the Arts Council of Ireland in 2017.

Susan Montgomery is a visual artist from Wicklow and has lived in West Cork since 2007. She graduated from DLIATD in 1997. Her extensive exhibition record includes Mermaid Arts Centre, Bray, Doswell Gallery, Rosscarbery, Cross Gallery, Dublin, The Joinery, Dublin, Signal Arts Centre, Bray, Talbot gallery, Dublin and Greyfriars Municipal Gallery, Waterford.

Montgomery is a member of the experimental collective Tellurometer Project; recipient of a Wicklow County Council Award to fund a publication currently in progress. Additionally, educational work at West Cork Arts Centre since 2009 resulted in commissioned work and public engagement touring to Mermaid Arts Centre, Highlands Gallery and Wexford Arts Centre to accompany Mikala Dwyer’s Panto Collapsar. Other educational awards include a Cork County Council Commission by the County Library Service in 2015.

Susan Montgomery’s work belongs in the collections of OPW, Trinity College, Dublin, former First National Bank, The Ice Hotel, Ballina, Touchstone Healthcare and Waterford County Council.

Satellite Residency: Celina Muldoon & Niamh O’Doherty

Muldoon (b.1980) is an Artist based in North West Ireland. Graduating with a First Class Honours degree in Fine Art, I.T. Sligo in 2014, her work was purchased for their permanent collection. Muldoon completed an MFA in Sculpture from N.C.A.D. in 2016. She was a member of Jesse Jones NO MORE FUN AND GAMES (2016) feminist collective and Amanda Coogan’s I’ll sing you a song from around the town 2015. Her graduate work We are in cahoots…You and I was selected for Mobius(Boston) international performance festival, 2017 and Craw festival Berlin, 2018. Muldoon has completed residencies in MART and the Tyrone Guthrie Centre. She has exhibited in Temple Bar Gallery and Studios, The Complex, Waveparticle and Celine gallery, Glasgow and Project Arts Centre Dublin. She has been awarded the Next Generation Bursary award, The Artist in the Community scheme award and a residency in Cow House Studios in partnership with The Mothership Project this November.

Born, Donegal, Ireland, 1988, Niamh O’Doherty is a visual artist based in Dublin. O’Doherty received her BA in Fine Art at Chelsea College of Art and Design in 2010 and her MA in
Art in the Contemporary World, NCAD, in 2014. Solo exhibitions include “Standing at the Still Point” Linnenhall Art Centre, Castlebar, Co. Mayo in 2017 and “Reflections on Time” at Broadstone Studios (2014).

Satellite Residency: Kate Warner & James Ó hAodha

Kate Warner grew up in Co. Wicklow and lived in Dublin before moving to London. She studied painting at NCAD and then the Royal College of Art (London). Solo exhibitions include Cross Gallery, Dublin, and Mermaid Arts Centre, Bray. She participated in the Unbuilding Project (2010), a collaborative group of artists and curators, supported by Wicklow County Council and the Arts Council of Ireland. Other group shows include recent exhibitions in London and Kent. In 2017, Kate designed and facilitated a workshop at Tate Exchange, as part of ‘Occupation’, an exhibition and seminar on Art Education in collaboration with UCL Institute of Education and Freelands Foundation.

James Ó hAodha [O-Hay] (b. 1985, Wexford) is an interdisciplinary artist based in Manchester. Graduating in Sculpture from NCAD in 2009, Ó hAodha has continued to develop a socially engaged practice, working for the most part beyond the bounds of the exhibition space. Most recently, he completed the MFA program at Glasgow School of Art, pursuing ongoing interests in performance and video work and exploring the physical agency of the moving-image.

The Mothership Project Satellite Residency: Selected Artists Announced

The Mothership announces the 15 parenting artists who are recipients of residences:

This autumn, The Mothership Project in collaboration with Cow House Studios will run a pilot artist residency programme giving 15 parenting artists supported time and space to develop their practice, including childcare and accommodation on-site for children and partners.

The 15 artists travelling to Cow House Studios are Dorota Borowa, Stephen Dunne, Niamh Davis, Sarah Lincoln, Ruth Lyons, Ciara McMahon, Susan Montgomery, Celina Muldoon, Niamh O’Doherty, Sally O’Dowd, James O’hAodha, Una Quigley, Linda Quinlan, Ruby Wallis and Kate Warner.

Bealtaine-Festival-Artists-residency-2018

Bealtaine Festival Artists’ Residency 2018

Bealtaine Artists’ Residency, Cow House Studios Wexford Artists’ Residency: Saturday, May 5th – Saturday, May 19th Public Discussion at Wexford Arts Centre: Friday, May 18th (2 pm) Year after year we look forward to this artists’ residency with Age & Opportunity. In years past, this programme has included many artists for whom Co-Directors Rosie O’Gorman & Frank Abruzzese […]

Richard John Jones Public Sculpture

Richard John Jones Public Sculpture

During the week beginning March 17th, 2018, during our Open Residency programme, artist Richard John Jones installed his work Public Sculpture, a figure without a body. We hope for this to be the first of many public sculptures in the woods adjacent to the Cow House. This installation found its beginnings as a work included in the exhibition The Plough And Other Stars curated by Kate Strain in 2016 at the Irish Museum of Modern Art. This exhibition was associated with our own 2016 residency The Centre For Dying On Stage #3 also curated by our then curator in residence, Kate Strain. We were thrilled when shortly after the exhibition we were contacted by both Richard and Kate who proposed the farm as a permanent home for the work. After much coordination, it was wonderful to see the successful installation despite some fairly horrific weather. Special thanks to artist Deirdre Buggy who took time out of her busy schedule to help Richard with the installation. We look forward to sharing this special addition to the farm with our future visitors.

mothership-satellite-residency

Satellite Artist Residency

In collaboration with The Mothership Project, we are thrilled to offer Satellite, an artist residency for Autumn, 2018 designed specifically for parenting artists in Ireland. As part of this work, The Mothership Project will conduct research into the experience of parenting artists in Ireland that will be used to produce a publication that highlights their needs. To help us advocate for parenting artist in Ireland please fill out our survey here.

Satellite is funded by The Arts Council and Wexford County Council Arts Office and is supported by Visual, Carlow and Wexford Arts Centre.

Limited Edition Mugs to Support Student Scholarship

If you have been to Cow House, then you know we love our tea so a mug seemed like the perfect way to launch our little shop. We will periodically offer limited edition beautiful things made by Irish craftspeople embellished with designs by our former resident artists. 

Arran Street East is small Dublin based ceramic studio, we LOVED their mugs from the moment we laid eyes on them and you will too. This small batch is extra special because each one holds a little surprise when you lift your cup for a sip of tea or coffee. The drawings were specially designed by Woosung Lee, each mug is hand thrown and the drawings are hand stamped. 

All proceeds go towards our scholarship fund. In other words, if we sell all these mugs, it will go towards funding a partial scholarship for a student to attend Art on the Farm. It’s a win-win; receive something beautiful and unique while helping to provide a special experience for a young artist.

How to Flatten a Mountain 2018

Dates: April 23 – May 4, 2018 howtoflattenamountain.com How to Flatten a Mountain is an annual residency opportunity which takes place at Cow House Studios in County Wexford. On Monday, April 23rd twelve artists arrived at the studios to experience ten days on the farm making new work, learning about each other’s artistic practice and working with […]

Agnes Irwin SSP 2017

We are thrilled to once again welcome a group of girls from Agnes Irwin School. This is the fifth year we have had the pleasure of hosting students for their Special Studies Program (SSP). Running for almost 50 years, the SSP programme at Agnes Irwin is designed to offer students experiences away from the classroom […]

Cow House Studios & Bealtaine Festival 2017

Bealtaine Artists’ Residency, Cow House Studios Wexford

Residency: Sunday, May 7th – Saturday, May 20th
Public Discussion: Friday, May 19th (2pm)

We are thrilled to once again host a residency with Age & Opportunity for the 2017 Bealtaine Festival. Following on the success of last year’s residency, artists Vivienne Dick, Kevin Gaffney & Kathy Prendergast have been invited by Bealtaine to take up residence at Cow House for two full weeks from May 7th to the 20th. The premise for this residency is to allow this intergenerational group of artists time to consider their art practice in our rural surrounding.

Image left Kevin Gaffney still from A Numbness in the Mouth, 4K Video, 2016, centre Vivienne Dick still from The Irreducible Difference of the Other, 2013, right Kathy Prendergast, Fujidelic, ink on paper, 2015-2016

Rising from the Hill: Local Systems in Global Contexts

Cow House Studios Autumn Residency, 2017

With the generous support of Wexford County Council & The National College of Art & Design, Cow House Studios presents Rising from the Hill: Local Systems in Global Contexts, a 6-week residency that will explore and develop methods of giving aesthetic forms to real-life, situations. In particular, participants will respond to the local environment of Cow House Studios, in the rural Irish countryside of Wexford. Participants will be encouraged to use ideas, strategies, and metaphors of “systems” to consider the complex relationships between this local context and larger global systems such as economics, telecommunications, meteorology and so on.

This residency was conceived in the spirit of meaningful exchange between practice and theory and as an outcome of on-going collaborative projects between Francis Halsall and Kelley O’Brien investigating social relations through the lens of systems. This means to uncouple systems from individual humans and think of them, instead, as complex interactions of people, architecture, things, communications, and environments. In other words, individuals are not separate from their environments, but rather, an integral part of them.

The Map is Not the Territory

Dates: October 17th – 28th, 2017

The Map is Not the Territory is an exciting new residency opportunity open to emerging and mid-career artists, writers and those operating at the intersection of the two art-forms, during which participants work with a dynamic group of facilitators to produce material, both textual and visual, for a collaborative publication. This residency is a joint effort between Cow House Studios and two of the Co-Editors of Paper Visual Art Journal, Nathan O’Donnell and curator Marysia Wieckiewicz-Carroll.

The curatorial team & project facilitators aim is to capitalise on the natural resources of the local area through a direct engagement with the land surrounding Cow House Studios. They take their cue from Alfred Korzebski’s dictum, ‘The Map is Not the Territory’, which points to an ontological gap between lived reality and the mapped or otherwise abstracted models of reality through which much of the world is understood. Following on from this conceptual dichotomy, this residency will explore the geographic location of the studios, unpacking ideas of abstraction, translation, cartography, and other fictions.

How to Flatten a Mountain 2017

Dates: April 24th – May 5th, 2017
howtoflattenamountain.com

How to Flatten a Mountain is an exciting residency opportunity open to emerging and mid-career visual artists whose artistic practice in whole or part, makes use of digital and/or analogue photographic processes.

The aim of this residency is for participating artists to explore possibilities outside their core practice, work collaboratively and produce a cohesive exhibition of work to be presented at PhotoIreland Festival 2017. During the residency, participants will take an active part in a series of workshops led by guest facilitators and as a group will be sharing ideas, making work, processing, printing, editing, as needed, always working in collaboration. As an integral part of the residency, three artists based in Ireland will facilitate day-long workshops to provoke and animate different avenues for thought. Each facilitator brings to the residency new perspectives, challenges and opportunities for participants.

The Centre For Dying On Stage #3

The Centre for Dying on Stage #3
Autumn Residency programme at Cow House Studios
10 October – 20 November 2016

Cow House Studios and Kate Strain are delighted to announce the participating artists for the upcoming residency programme: The Centre For Dying On Stage #3

The participants of the 2016 Cow House Studios Autumn residency programme are: Jessica Foley, Marjorie Potiron & Lisa Hoffmann, Steven Randall, and The Artist and Himself at 29 (TAH29). The five artists will be invited to reside at Cow House Studios from 10 October – 20 November, with the collective aim of producing an exhibition in the form of a play, to be realised at Wexford Arts Centre, on 11 & 12 November 2016. We look forward to welcoming the incoming resident artists in October.

You can read more about The Centre For Dying On Stage here…

How to Flatten a Mountain 2016 Exhibition

Launch: 7th July, 6:30pm
Running: 8-24 July
Location: Rathfarnham Castle

How to Flatten a Mountain is the title of this exhibition, which marks the culmination of a residency that ran for the first time this year between May 23 and June 1. The residency focused on emerging and mid-career visual artists whose practice in whole or part, makes use of digital or analogue photographic processes.