For our forthcoming residency How to Flatten a Mountain, our residency in collaboration with PhotoIreland, workshops will be led by an outstanding group of artists. We are thrilled to announce that photographers Sonja Thomsen and Eirik Johnson will be joining us for a full day of presentations, workshops, and critiques. These artists among others will […]
Community update with Sarah Pannell Sarah Pannell was a participant in our 2018 residency How to Flatten a Mountain. She is an Australian visual artist whose work concerns culture, landscape, tradition, and community. Sarah received a BA in International Studies from Deakin University, Melbourne, Australia in 2009 and a BA in Photography, RMIT University, Melbourne, Australia […]
Dates: June 1 – 12, 2020 howtoflattenamountain.com Program Description: How to Flatten a Mountain is a 12-day residency opportunity presented by PhotoIreland & Cow House Studios with the support of Inspirational Arts. This opportunity is open to emerging and mid-career visual artists whose artistic practice in whole or part makes use of digital and/or analog photographic processes. This […]
We just learned that 2016 residency artist SV Randall has been included in the new publication 100 Sculptors of Tomorrow published by Thames and Hudson. Steve was one of the five artists who took part in The Centre for Dying on Stage, which culminated with an experimental performance at Wexford Arts Centre. We did a […]
With the generous support of Wexford County Council, Cow House Studios presents Leeward, a 4-week residency open to visual artists and other creative practitioners. Starting with the premise that the “Rural” is a cultural construction that we need to demystify and take apart; the residency will address misunderstandings about how the countryside works, what it needs, and what it can offer. It will also look into current theories about the survival of our species.
Building on Satellite, the very successful pilot residency run in collaboration with The Mothership Project, Cow House Studios, with the support of Wexford County Council is pleased to offer an annual two-week residency designed specifically for parenting artists. The Parenting Artist Residency will make it possible for awarded artists to dedicate time to their work by offering all of the supports necessary to do so. We recognise many artists discover they must drop or drastically curtail their creative practice while having children, leaving a cultural gap. This residency will support parenting artists at this key stage in their lives, assisting them to have productive and rewarding careers as they rear their families.
Program Description The Open Residency Program at Cow House Studios is intended to offer artists critically valuable time and space to think, research and make new work. The aim of this residency is to minimize distraction and ensure that momentum gained while working in the studio can be acted upon, helping to make even shorter […]
Bealtaine Artists’ Residency, Cow House Studios Wexford Artists’ Residency: Sunday, August 25th – Friday, September 6th Public Discussion at Wexford Arts Centre: Wednesday, September 4th (2 pm) We are delighted to once again host the Age & Opportunity Visual Arts Residency, our 5th year hosting a group of artists in association with Bealtaine Festival. This […]
Community update with Sarah Bastacky Sarah Bastacky was a student during our summer program back in 2014. She graduated this spring from Bard College with a BA in Studio Arts and is currently based in New York’s Hudson Valley. Sarah’s projects and performances invite puppets, paintings, and whatever else necessary into the process of building a […]
Community update with Kate Strain
Kate Strain is the Artistic Director of Grazer Kunstverein. Based between Graz, Austria and Dublin, her ongoing curatorial projects include Department of Ultimology, a new department established with Fiona Hallinanin in 2016 at Trinity College Dublin and RGKSKSRG, the paired curatorial practice of Rachael Gilbourne and Kate Strain.
We were fortunate to work with Kate on two projects. The first, I like to eat with my hands, took place in 2015 under the collaborative practice RGKSKSRG. The second, The Centre For Dying On Stage #3, took place in 2016 with the support of The Arts Council‘s Curator in Residence scheme. Kate generously took some time out of her hectic schedule to answer a few of our questions.
Community update with Woosung Lee
Woosung Lee participated in our residency program in the autumn of 2014. Based in Seoul, Korea, his painting and drawing practice draw upon memory, nostalgia and humor to create whimsical tapestries that can exist both within a gallery setting or unexpected urban settings. In 2017 he provided a wonderful illustration for a limited edition run of mugs to fund the scholarship program for Art on the Farm, our summer art program.
In 2009 Woosung received his BFA in painting from Hongik University, Seoul, Korea and in 2012, his MFA from Korea National University of Arts, Seoul, Korea. Woosung has exhibited his work widely both in Korea and abroad and has taken some time away from his active studio practice to answer a few of our questions.
Community update with Ruth Connolly
Ruth Connolly is a photographer living and working in Dublin. She holds a BA in Fine Art Printmaking from Limerick School of Art and Design, and an MA in Photography from Central Saint Martins, London. Her first book, If you lived here, you’d be home by now was published in 2017 by The Velvet Cell.
Her personal work primarily explores the balance and tension between people and place. Commercially, she works with design studios, advertising agencies and businesses, helping to create a tone and feel for a brand through photography. Ruth is a photography lecturer at Dublin Institute of Design.
Ruth participated in our residency How to Flatten a Mountain in 2017 when she made the fantastic body of work Each evening we see the sun set which she made into an exquisite handmade book for the exhibition at Rathfarnham Castle. This work was then published by PhotoIreland Foundation as part of their TLP Editions series. Ruth has kindly taken some time to answer our questions.
When we hosted our first group of artists at Cow House eleven years ago, we understood the value of uninterrupted time and space to make work. We strove to create a place where a small artistic community could engage with all the possibilities of making work in our unique environment. We wanted to support artists, […]
This past Autumn, associate artist Ann Maria Healy exhibited a new video work titled When Dealers Are Shamans at Pallas Projects. The initial ideas for this project began when Ann Maria was with us for our residency I like to eat with my hands. She became interested in our peacock George and began some initial research. We were […]
During our Open Residency Program this past Autumn we had the pleasure of hosting two emerging photographers, Luis Alberto Rodriguez and Jewgeni Roppel. This residency was made possible through a collaboration with PhotoIreland Foundation and Futures. Futures is a new photography platform that pools the resources and talent programmes of leading photography institutions across Europe […]
Sarah Lincoln (born in 1980) is a visual artist based in Ardmore, Co. Waterford. She graduated from NCAD in 2004 with a joint degree in Fine Art and the History of Art. She holds an MA in Visual Arts Practice from IADT. Sarah writes for Enclave Review and Critique.
Her work has been included in Claremorris Open, EVA and as part of numerous group exhibitions. The Irish Arts Council, Create and ArtLinks have supported her practice.
Ruby Wallis is an artist and lecturer who completed her PhD at The National College of Art and Design, Dublin in 2015. She was an artist in residence at The Irish Museum of Modern Art (2016) and received an Arts Council’s Bursary Award (2017). She was awarded the first prize at Claremorris Open Exhibition and was nominated for the Prix Pictet Photography (2013). She lectures at The Burren College of Art and the National University of Ireland.
Linda Quinlan is a graduate of the Piet Zwart Institute, Rotterdam, NCAD, Dublin and Crawford College, Cork.
She has exhibited at Oakville Galleries, Toronto; Bloomberg Space, London; CRAC Alsace, Altkirch; Smart Project Space, Amsterdam; IMMA, Dublin; Loop Gallery, Seoul; Salon Populaire, Berlin; Kolnischer Kunstverein, Cologne; the Hugh Lane Gallery, Dublin; Douglas Hyde Gallery, Dublin; Crawford Gallery, Cork; RHA, Dublin; Farmleigh Gallery, Dublin and Glucksman Gallery, Cork. Residencies include The National Museum of Contemporary Art, Seoul; Centre Culturel Irlandais, Paris; Picture This, Bristol; IMMA, Dublin, TBG&S, Dublin, University of Tasmania, Hobart and Fondazione Ratti, Como.
Ruth E Lyons is based in Co. Offaly, Ireland. Over the past years, she has created works in the sky (Sky is the Limit, 2012, public commission for Scoil Naomh Eoin, Co. Meath), the sea (Pinking on Sea, 2014, Kinsale Arts Festival) and underground (Salarium 230million BCE – 2023 CE commission with EUSalt Assoc.)
Ciara McMahon is a multidisciplinary artist whose practice includes site-specific performative installations, paint, and video. McMahon has an MA from the combined pathway ACW program (thesis First) NCAD and a BA (First) from NCAD. She is currently enrolled in the Turps Banana Correspondance Course 2018- 2019.
McMahon’s has had solo exhibitions in The Banff Center; NCAD Gallery; the Joinery. Further shows include the Garter Lane Arts Center; Bath Royal Science and Literacy Institution; Birkbeck College, London; Pallas Projects; Annual RUA Exhibition and TULCA amongst others. McMahon has been awarded Audrey E. Klinck scholarship at the Banff Arts Centre; Artist in the Community Award Phase 1 and 2 from CREATE; Arts Council Travel and Training Award and DLR arts grants.
Sally O’Dowd is a visual artist with a socially engaged practice focusing on drawing and performance. As a politically aware artist, her research is concerned with identity and in particular intimate female ritual and investigating the role – self-selected and enforced – of women in contemporary Irish society. Her artwork also focuses on authenticity in documentation by way of performance, film and drawing. She creates often absurd, socially awkward performance, in which costumes and props amount to an abject beauty.
Dorota Borowa is a Polish artist based in Dublin. She holds a Masters from the Painting Department at the Academy of Fine Arts in Warsaw. Dorota has exhibited both nationally and internationally (including the Eight Gallery, Dublin, m² Gallery, Warsaw, By Other Means Gallery, London, Arsenal Gallery, Bialystok, Platan Gallery, Budapest, Haugar Vestfold Kunstmuseum, Tønsberg) and has been awarded a number of residency programmes. To date, Dorota has received two scholarships from the Polish Ministry of Culture. In 2016 she was longlisted for the Aesthetica Art Prize. Her work has recently been selected for the second issue of independent publication Bloomers Magazine: Living Mountain which celebrates the work of emerging female artists based in Ireland. Borowa’s work was also recently featured in the film ‘Monument’ by award-winning Polish director Jagoda Szelc. Dorota is a co-founder of the Borowe Sisters Group. One of her ongoing projects is Map Books, inspired by travelling in South-East Asia. Dorota collaborates with m² Gallery in Warsaw.
Stephen Dunne’s work operates across the registers of painting, drawing and moving image. Works are produced in a spontaneous manner and attempt to draw upon the unconscious as a source material. The process of making, where each thing leads to the next through an experimental and intuitive approach is at the core of this work.
Dunne is a graduate of the M.A in Fine Art painting at the Royal College of Art and of NCAD and his recent exhibitions include “As Above, So Below: Portals, Visions, Spirits & Mystics” & “Wilder Beings Command” at the Irish Museum of Modern Art.
Niamh Davis is a Dublin based artist. She has a BFA from Crawford Art College, Cork and a Post Grad from UCD. She has had solo exhibitions in Cross Gallery, Dublin, nag Gallery, Dublin, PS2, Belfast and The Andrew Stone Gallery, Westport, as well as many group exhibitions throughout Ireland, Berlin and Timor Leste. In addition to the Mothership Project Satellite Residency in Cow House Studios, awards include Fire Station Artist’s Studio’s Digital Media Residency Award and the Backwater Artists Studio’s, Ciaran Langford Memorial Bursary Award.
The Open Residency Program at Cow House Studios is intended to offer artists critically valuable time and space to think, research and make new work. The aim of this residency is to minimise distraction and ensure that momentum gained while working in the studio can be acted upon, helping to make even a short stay highly productive.
Born in Dublin, Úna Quigley graduated from Crawford College of Art, Cork and Winchester School of Art, Spain & U.K. in 2001 with an MA in European Fine Art. She has since exhibited widely such as at the Kassel Film Festival, the Rencontres Internationales Paris/Berlin, Centrum Berlin, Project Arts Centre, Ireland, Lewis Glucksman Gallery, Ireland, and Crawford Gallery, Ireland.
In recent years she screened her film work at the National Film Archive in Seoul and Berliner Liste, had a solo exhibition The Interval at Centrum Berlin and co-created a cinema in the wilderness for a temporary project entitled Wild-screen in Connemara. She exhibited in Tulca The Headless City in 2016 and is premiering new work at the Istanbul Experimental film festival in 2018.
Quigley has been included in a number of publications, such as Cooling out – on the paradox of Feminism by Lewis Glucksman Gallery/Kunsthaus Baselland, and recently False Optimism published by Crawford Gallery Ireland and All Mountains begin on the Ground, an artists book of essays.
She has received awards from local authorities, Culture Ireland, the Arts Council of Ireland, and Ealaín na Gaeltachta and was most recently awarded an Artists Bursary from the Arts Council of Ireland in 2017.
Susan Montgomery is a visual artist from Wicklow and has lived in West Cork since 2007. She graduated from DLIATD in 1997. Her extensive exhibition record includes Mermaid Arts Centre, Bray, Doswell Gallery, Rosscarbery, Cross Gallery, Dublin, The Joinery, Dublin, Signal Arts Centre, Bray, Talbot gallery, Dublin and Greyfriars Municipal Gallery, Waterford.
Montgomery is a member of the experimental collective Tellurometer Project; recipient of a Wicklow County Council Award to fund a publication currently in progress. Additionally, educational work at West Cork Arts Centre since 2009 resulted in commissioned work and public engagement touring to Mermaid Arts Centre, Highlands Gallery and Wexford Arts Centre to accompany Mikala Dwyer’s Panto Collapsar. Other educational awards include a Cork County Council Commission by the County Library Service in 2015.
Susan Montgomery’s work belongs in the collections of OPW, Trinity College, Dublin, former First National Bank, The Ice Hotel, Ballina, Touchstone Healthcare and Waterford County Council.