This past Autumn, associate artist Ann Maria Healy exhibited a new video work titled When Dealers Are Shamans at Pallas Projects. The initial ideas for this project began when Ann Maria was with us for our residency I like to eat with my hands. She became interested in our peacock George and began some initial research. We were […]
We are now more than half-way done with our first session and are happy to share a selection of photographs from an eventful two weeks. Highlights have included trips to Dublin where we saw several exhibitions including the fantastic As Above So Below at the Irish Museum of Modern Art. We were able to enjoy […]
We are delighted to announce our new associate artists (from left to right) Ann Maria Healy, Mathilde Ganancia, Sarah Tynan and Paul Gaffney who in their new roles will be teaching this summer during Art on the Farm. These four artists represent a diverse set of artistic practices ranging from painting to sculpture, installation, performance, video and photography. In their young careers, all have exhibited widely whilst receiving recognition for their exceptional work as recipients of numerous grants and awards. We look forward to working with them over the next few years and are certain they will have much to add to our educational and residency programming.
Wexford Arts Centre
Saturday 27th August at 3pm
The exhibition I like to eat with my hands is the outcome of our 2015 Autumn Residency residency involving five contemporary, international artists. The participants were artists Taro Furukata, Ann Maria Healy, dancer/choreographer Claire Huber and writer/artist duo KVM – Ju Hyun Lee and Ludovic Burel.
For a period of eight-weeks in autumn last year, they re-located their practices to our deeply rural environment at Cow House Studios. Together, they immersed themselves in research between the studios, the land and the shared accommodation, to create new work, share skills, and reflect on their own and others’ individual practices. Within this activity, the question was asked: can situating oneself within these new ‘Pig Earth’ surroundings potentially radicalise an existing working process?
Their answer comes to you in the form of this exhibition. It comes in the lonesomeness of Taro Furukata’s poignant attempts to assimilate (physically metabolising new spaces in the sanctity of his actual body) and to reach back home (phoning his Grandma for hand-me-down recipes); in Claire Huber’s struggle out of the physical and metaphysical confines of the body (dancing with and in nature in a wild and comic reach for meaning); in Ann Maria Healy’s search for spiritual guidance or resonance amongst dated mythological traditions (removed and ritualised in their almost but not quite kitsch physical form), and in KVM’s more than skin-deep transference of cultural mores (echoes of nasty cultural realities, warts and all).
RGKSKSRG is the paired curatorial practice of Rachael Gilbourne and Kate Strain.
Image: Ann Maria Healy, Beating to be real, 2016, HD video still.
Schnitzen einer Teufelsmaske, 1965 – Gareth Kennedy, research image as part of Die unbequeme Wissenschaft (The Uncomfortable Science), 2014 Cow House Studios | Hallowe’en Open Day Saturday 31 October 2015, 12noon – 5pm Please join us for Hallucination! On the Farm as Cow House Studios hosts its annual Open Day. This year, guests are invited […]
I like to eat with my hands. Image courtesy Fiona Hallinan, 2015 14 September – 8 November, 2015 Cow House Studios in collaboration with RGKSKSRG were delighted to host the recipients of the Cow House Residency for 2015: artists Taro Furukata, and Ann Maria Healy, dancer/choreographer Claire Huber, and publisher/writer/artist duo KVM – Ju hyun Lee […]